Aside from sports that have worldwide appeal and competitions, such as the Olympic Games, the entertainment value of a sport depends on the culture and country where people play it. For example, in the United States, baseball and basketball games are popular forms of entertainment; in Bhutan, the national sport is archery; in New Zealand, it is rugby union; in Iran, it is freestyle wrestling.
” In “Trap,” Hartnett plays a father with a secret who takes his daughter to a pop concert — which is surrounded by police searching for a serial killer.
Two of the chief architectural concerns for the design of venues for mass audiences are speed of egress and safety. The speed at which the venue empty is important both for amenity and safety, because large crowds take a long time to disperse from a badly designed venue, which creates a safety risk.
Although kings, rulers and powerful people have always been able to pay for entertainment to be provided for them and in many cases have paid for public entertainment, people generally have made their own entertainment or when possible, attended a live performance. Technological developments in the 20th century, especially in the area of mass media, meant that entertainment could be produced independently of the audience, packaged and sold on a commercial basis by an entertainment industry.
Interactive books such as "choose your own adventure" can make literary entertainment more participatory.
[190] Globalisation and cultural imperialism are two of the cultural consequences of convergence.[202] Others include fandom and interactive storytelling as well as the way that single franchises are distributed through and affect a range of delivery methods.[203] The "greater diversity in the ways that signals may be received and packaged for the viewer, via terrestrial, satellite or cable television, and of course, via the Net" also affects entertainment venues, such as sports stadia, which now need to be designed so that both live and remote audiences can interact in increasingly sophisticated ways – for example, audiences can "watch highlights, call up statistics", "order tickets and merchandise" and generally "tap into the stadium's resources at any time of the day or night".[182]
James, the Muslim Hajj and the Hindu Kumbh Mela, which may appear to the outsider as an 九游娱乐 entertaining parade or procession, are not intended as entertainment: they are instead about an individual's spiritual journey. Hence, the relationship between spectator and participant, unlike entertainments proper, is different. The manner in which the Kumbh Mela, for example, "is divorced from its cultural context and repackaged for Western consumption – renders the presence of voyeurs deeply problematic."[156]
What is entertainment for one group or individual may be regarded as work or an act of cruelty by another.
The skill of managing, organising and preparing the stage for a performance is known as stagecraft. The audience's experience of the entertainment is affected by their expectations, the stagecraft, the type of stage, and the type and standard of seating provided. Theatrical entertainment – stages, staging and stagecraft
His comments come after a number of former contestants made claims about their treatment on the show.
Children entertained by a stilt walker performing in a circus act A circus, described as "one of the most brazen of entertainment forms",[143] is a special type of theatrical performance, involving a variety of physical skills such as acrobatics and juggling and sometimes performing animals. Usually thought of as a travelling show performed in a big top, circus was first performed in permanent venues. Philip Astley is regarded as the founder of the modern circus in the second half of the 18th century and Jules Léotard is the French performer credited with developing the art of the trapeze, considered synonymous with circuses.
Phillips shares why he chose her for the role, singing on set — and using the film to pose the question: “What is entertainment?”
Nicolas Cage says he channeled his mother to play the part of the titular occultist serial killer in “Longlegs.” The 60-year-old actor and producer spoke with AP entertainment journalist Krysta Fauria about getting more personal with his performances, working with director Osgood Perkins and why he’s always loved acting in horror films.
Nearly a decade after his last full-length release, Zedd is releasing “Telos.” The Grammy-winning producer/DJ says he needed to push himself to make an album that would move the needle — one that told a story beyond the success of his debut LP, “Clarity,” or “True Colors.